Q and A with Zeina Nader (741 words 4 min.read )
1. Who is your target audience, given that abstract art is not easily understood by many?
My art speaks to everyone, regardless of age, education, or background. Abstract art can be challenging, but it invites viewers to let go of preconceived ideas about what art should be, and connect through emotion rather than logic. It’s a personal journey, one that dares you to dream and feel beyond the canvas, societal norms or taboos.
Children often respond to my work with instinctive, imaginative interpretations, while adults sometimes struggle, wanting something more “concrete.” As Picasso said, “Every child is an artist. The problem is how to remain an artist once we grow up.” We tend to lose that raw sensitivity over time.
Abstract art isn’t meant to be analyzed, it’s meant to be felt. All it asks is that you come with an open heart.
2. You have participated in more than 100 exhibitions worldwide, in which country did you get the most satisfying audience and why do you think that is?
My first international exhibition took place in New York City 20 years ago, marking the true beginning of my artistic journey. That elegant gallery show opened the door to a series of exhibitions across Europe, Japan, the UAE, Canada, and beyond. Each city offered its own magic, but my three experiences in the U.S. remain particularly meaningful.
After that pivotal debut in NYC, I returned in 2021 to exhibit in Illinois and later in Washington, D.C. The exhibition and auction in The Peoria Riverfront Museum, part of a charity event organized by Dr. Tony Karam for the Lebanese American University and Medical Center, was a memorable success, held in an accredited museum alongside fellow Lebanese artists. In 2024, I had a solo exhibition in a refined gallery space in DuPont Circle, Washington, D.C., again curated by Dr. Karam and organized by Bridging Brushes. It was a milestone for me; successful in visibility, sales, and artistic growth.
For many reasons, the United States has always been a generous and supportive host to my art.
3. Had you not chosen art as a profession, what field would you have seen yourself excelling at?
I didn’t choose art. Art chose me. From a young age, it became clear that creating wasn’t just something I did; it was who I was. Even if it weren’t my profession, I know I’d still be making art. It’s inseparable from who I am.
I’m dedicated, organized, and consistent. These are traits that are not the stereotype often associated with artists, and that would have helped me succeed in any field. But without art, nothing would come from the heart, and it simply wouldn’t make me happy.
4. As an author of books and a writer about art, how do you view artistic coverage in Lebanon and how could it be improved?
This is a question I’m often asked. Today, genuine art coverage is rare; most of what we see is driven by commercial interests rather than true passion. Critics and writers who approach art with heart and professionalism have become exceptions.
Unfortunately, while we do recognize the presence of some truly professional media platforms, many outlets only highlight what is paid for, and the rest often goes unnoticed. Add to that the fact that fewer people are reading nowadays, and art coverage has become largely superficial, reduced to quick videos and pictures without real depth or reflection. It’s sad, and in my opinion, a real loss for culture.
That’s why I deeply appreciate the professionalism of certain Lebanese media, and what you’re doing with The Art Pulse. I hope you continue to stay true to your mission of “sharing pure art”, because that kind of integrity is more important now than ever.
5. Can you highlight for your artist colleagues what does it mean to you as an artist to exhibit in a museum or to have your works accepted in a museum collection?
For any artist, having a work included in a museum collection is a dream. It is a powerful recognition of one’s passion and dedication. I was honored to experience this when my colorful abstract cedar (150 x 150 cm) was acquired by the Peoria Riverfront Museum as part of their permanent collection. It was a deeply meaningful moment, and one I hope my children will one day look back on with pride.
